Suonatore di mandolino picasso biography

By the winter of 1909/10 Picasso's pictorial language had already become increasingly hard to decipher.

Suonatore di mandolino picasso biography

He was steadily divesting his paintings of mere likeness, not that this was synonymous with a progressive elimination of the subject: his paintings were becoming more abstract but not entirely so.

In 1910 Picasso and Fernande Olivier spent a summer vacation in Cadaques, and this was where Woman with Mandolin originated.

Having emerged from an Early Cubist phase which seemed, in part, expressive, Picasso was now in the throes of Analytical Cubism, a period during which he invested surface ornament with intrinsic value. In this picture, the characteristic fragmentation of form is carried to almost unrecognizable lengths.

Only the mandolin is comparatively easy to identify in the lower reaches of the composition.' Both the outlines of the figure and its internal drawing have been broken down into interpenetr